Ras Mista Fyah, the Colombian-born reggae artist rooted in the vibrant culture of Bogotá and now operating out of Miami, is entering a new chapter in his career—one defined by a sharpened focus, refined sound, and the possibility of Grammy recognition.
Since dropping Infinity, his fourth studio album, the dreadlocked crooner has taken no time to rest. With recent stage appearances alongside reggae veteran Mykal Rose and a steady stream of media coverage, Ras Mista Fyah is finding his footing not only as a global ambassador for Latin-American reggae but also as a serious contender in the genre’s mainstream.
But Jamaica calls. Not as a tourist destination, not as a novelty—Ras Mista Fyah sees it as a pilgrimage. “I’m not going to Jamaica to sightsee. I’m going there with my people, my spirit, and my truth. I’m going as reggae,” he shared with fervent conviction.
Infinity, produced by Argentine maestro Fela Roland, is a deliberate return to roots. Unlike his previous work, this project leans heavily on authenticity, drawing sonic parallels to the golden era of 1970s reggae. Key contributors include Bernard “Touter” Harvey of Inner Circle—a musician whose resume spans Marley’s Rastaman Vibration—and Dennis Burt, the seasoned bassist whose signature groove has touched tracks by Garnet Silk and Buju Banton.
The nine-track album has earned a place among the Recording Academy’s provisional shortlist for Best Reggae Album. Among the 73 eligible submissions this year are also projects from the likes of Israel Vibration and The Meditations—icons whose sound once bled from Ras Mista Fyah’s speakers as a child in Colombia.
“To be considered alone—it’s a moment of truth for me,” he says. “All these years of pouring myself into this music, to now stand among the names that raised me—it’s powerful.”
The official Grammy nominations will be revealed on November 7 in Los Angeles. Whether or not Infinity earns the nod, one thing is undeniable: Ras Mista Fyah is no longer just a student of reggae—he’s becoming part of its story.
