Fresh off a cultural high sailing with Japan’s Far East Reggae Cruise, Gramps Morgan is shifting gears—and continents—as he prepares to command the stage on his very first solo headlining tour across the United States.
Dubbed the “No Water in My Whiskey Tour,” the series kicks off September 25 and spans 21 dates across multiple states, from the deep musical soul of Mississippi to the bustling streets of New York. Key stops include Hartford, Brooklyn, Virginia Beach, Minneapolis, Plano, Bethesda, and Tarrytown, with new territories like San Antonio and Bay St. Louis offering uncharted ground for Morgan’s seasoned reggae sound.
“For years, I danced between group performances and guest appearances. Now, it’s time to put the full spotlight on what I bring solo,” Morgan shared. “This tour isn’t just about music—it’s about establishing roots in new markets and building a bridge between reggae and the American soundscape, especially where country music thrives.”
From Buju to Brooklyn — and Beyond
Morgan, no stranger to large stages, was recently the supporting act for reggae icon Buju Banton. But one-song cameos weren’t enough for fans—or for him.
“People kept asking for a full show,” he said. “So now I’m giving them one.”
Though every city on the tour has its own allure, Brooklyn holds special weight for Morgan—it’s where he was born, and it remains one of the largest Caribbean enclaves in the world.
Family on the Road, Legacy on the Line
Adding a generational touch, Morgan’s sons Priel and Jermere will open select shows. In some cities, regional talent will be woven into the lineup, further embedding Morgan into the musical fabric of each community.
But this isn’t just a concert series. It’s a mission.
Guitars Over Gaming: A Cause in Every Chord
As part of his collaboration with Free Guitars 4 Kids, Morgan will gift 15 guitars to children during the tour. The gesture stems from a deep belief that instruments—not just apps or screens—shape young minds and futures.
“We’re in a time where kids are glued to social media. I want to inspire them to pick up an instrument instead,” Morgan emphasized. “Music is more than entertainment—it’s therapy, discipline, and identity.”
Lessons from the Far East
Reflecting on his experience in Japan, Morgan pointed out the deep and respectful love for reggae that’s been brewing there for decades.
“The Japanese embrace reggae with reverence. Their families come out, their energy is pure, and their culture has a sincere humility. It reminded me of reggae’s global power.”
